Grey matter they call it
like in ash and concrete and the underside of the mop
with the sediment of grime and crumbs
and house dirt, grit and glass long broken into teeth
without fairies to take them
Tell me about ash and about words falling from lips
like bread crumbs sprayed from laughter
I imagine, music spills from a live soul the way ash falls from a body on fire
Ashes are what I remember more then anything much of the time,
especially when it rains
I had to know
what they were doing with Nana's
smile and heart and arms
the ones I loved
So I walked into the back gate of the crematoria
a curious, curly blue-eye child
Right there, implements rest against the brick wall
the pitchforks of Ogres
and a scarred singed mattress
like a leftover wedge of pumpkin bitter and burnt at the edges
a glimpse of a door much like an oven
and a smell I could not breathe to
Still, memory holds no air, just grease smoke
and embers
after, Nana's little bag of human-being ash
in its little sandwich bag
in the little granite cubbyhole
and the perfect lawn of the memorial garden.
They call it love
when it is a sense of heart and warmth of feeling home and safe,
but it isn't? Is it?
Love is more a heartbeat hot in veins, a cry in the night, the wings
of sparrows huddled together feathers fluffed against the winds weep
Autumn smells like ancient books with binding that crackles,
parchment leaves litters sidewalks, a manuscript discarded
and I wish I could read the veins that thread each one, like words
I may know something then
Why does it feel like we are caught in a storm so much of the time,
and made of trees unbending, not like palms that can withstand hurricanes,
but deep oaks, rooted and sentient, uprooted and lost,
the morning after, leaves littering the floor like cigarette butts, soil and ash
They call it love, and say it is a wellspring of sweet water
but it isn't? Is it?
It is the wings of a raven caught between the rib cage
fluttering fist pounding against itself
It is the gentle wind of soft, sweet lips pressed to the forehead of an infant to feel for fever
Love is rare, but can feel so naked, that eye to eye is fingertip in flame
immortal immolation
and we are not just broken shards, but shattered into powder and paste
and sculpted imperfectly perfectly
a clay that never hardens
by the fingers and hands of chance meetings of strangers and words from lips
and mouths, brain and bone, spirit and senses
a whisper of ash on their breath
I wish I could read their veins like words
I may know something then
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